When Briony Tallis (Saoirse Ronan), thirteen-years-old and an aspiring writer, sees her older sister Cecilia (Keira Knightley) and Robbie Turner (James McAvoy) at the fountain in front of the family estate, she misinterprets what is happening, thus setting into motion a series of misunderstandings and a childish pique that will have lasting repercussions for all of them.
Robbie is the son of a family servant, toward whom the family has always been kind.
They paid for his time at Cambridge, and now he plans on going to medical school.
After the fountain incident, Briony reads a letter intended for Cecilia and concludes that Robbie is a deviant.
When her cousin Lola (Juno Temple) is raped, she tells the police that it was Robbie she saw committing the deed. — Garykmcd
The newspaper business is in an uproar, his marriage to a fellow journalist has fallen apart and he can’t entirely remember what he loved about his job in the first place.
Then, one day, while walking through Los Angeles’ Skid Row, he sees the mysterious bedraggled figure Nathaniel Ayers, pouring his soul into a two-stringed violin.
At first, Lopez approaches Ayers as just another story idea in a city of millions.
But as he begins to unearth the mystery of how this alternately brilliant and distracted street musician, once a dynamic prodigy headed for fame, wound up living in tunnels and doorways, it sparks an unexpected quest.
Imagining he can change Ayers’ life, Lopez embarks on a quixotic mission to get him off the streets and back to the world of music.
But even as he fights to save Ayers’ life, he begins to see that it is Ayers–with his unsinkable passion, his freedom-loving obstinacy and his valiant attempts at connection and love–who is profoundly changing Lopez.
I saw this movie years ago probably not long after it was possibly a Redbox rental, and I possibly rented it from a Redbox when I was possibly staying at a hotel in the city of L back when I was trying to make a return to college.